Cars 2

2011, U, Directed by John Lasseter and Brad Lewis
Starring: Larry the Cable Guy, Owen Wilson, Michael Caine, Emily Mortimer

Although back in 2006 Cars didn’t break any Pixar records, it sure has endured as something of a merchandising storm – so much so that the presence of the beloved characters (something that Pixar are unrivalled in creating) combined with head honcho John Lasseter’s personal involvement led to the animation studio’s second sequel. Instead of retreading a formula however, the engine is revved and the stakes are upped. Not only are we based in Radiator Springs, the rediscovered lost town from the first film, but on a full-speed trip around the world where three-time Piston Cup champion Lightning McQueen is battling to win the World Grand Prix. What seems like a straightforward contest soon uncovers itself through tag-along Mater who embroils himself in a covert spy operation, led by Finn McMissile (Caine). Whilst the first film didn’t set critics eyes ablaze upon its first visit, it still remains a brave decision to make this so different – what Cars ironically lacked in fast set-pieces was more than compensated for in character. The gear stick is completely shifted here; and this is where Cars 2 is in danger of rolling backwards down the hill it has so far cruised up.

Where the first one was said to have stalled, this one races ahead and is in fear of leaving audiences trailing behind. Focus is now on Mater, the goofy but loveable tow-truck friend of McQueen and the credible voice work ensures Mater doesn’t frustrate, but endears (note how Larry the Cable Guy takes lead credit here from Owen Wilson). The true joy of Cars 2 is not what appears on the surface but the surrounding detail. Pixar are well-known dab hands at planting things within the frame that take a few watches to manifest themselves. Combine this with the adventurous quality at play and you have a Pixar sequel that doesn’t sustain the greatness of its predecessor (like Toy Story 3 effortlessly managed to do) but provides enough charm to convince as a rollicking fun ride. Reserve your parking space now (admit it, you smiled).

3/5

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Cars

U, 2006, Directed by John Lasseter and Joe Ranft

Starring: Owen Wilson, Larry the Cable Guy, Paul Newman, Bonnie Hunt

After reaching such stratospheric success not only critically, but commercially with the Toy Story’s and Finding Nemo - amongst others - an increasing amount of pressure is layered onto whatever Pixar decide to do next. Back in 2006, John Lasseter – the main man behind the creation of Woody and Buzz – introduced the world to a universe that doesn't feature toys, monsters or superhero families – but cars. In doing so, he unveiled probably Pixar’s most underrated outing to date. The plot follows racing car Lightning McQueen (a character now possibly in every young boy’s toy collection) who is en route to California to race a tie-breaking match for the yearned after Piston Cup. However, a turn of events leads him away from the interstate and towards Radiator Springs, an abandoned town that is home to a quirky set of car-acters; these include slow, southern-drawled Mater, the most loyal tow truck the big screen has seen, as well as grouchy Doc Hudson (voiced by Paul Newman in what was to be one of his last roles).

Granted, Cars lacks the immediate spark that previous Pixar efforts effortlessly emanate, but it would be unfair to judge what Lasseter deems his most personal film on previous successes. This is one hell of a slow-burner, with the script containing more than a full tanks worth of adult-aimed witticisms than first remembered. With the emphasis usually on characterisation (and pitch perfect voice casting), Pixar here raise the bar visually, evidenced no more than in the opening race sequence. The attention to detail is overwhelming and creates such a well realised universe that it is impossible not to be charmed by the entire thing. It really is up there with the ocean in Finding Nemo or the barren landscape of Wall●E. Although the film runs out of gas towards the end, there are enough lovely moments to keep you smiling and caring about the outcome. It comes as a surprise the extent to which Cars engrosses you; although this animated team makes no secret about wanting the audience to be snivelling into a tissue come the credits, you are caught off guard a few times here (a scene towards the film’s close beautifully pits in true Pixar fashion the importance and power of friendship) as a lump in your throat emerges. Strangely, Cars improves on re-watch – and only then will you agree with me that this film deserves more recognition. Not as obviously amazing as any of its predecessors, this is still top stuff.

4/5 

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