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Wednesday 11 January 2012

Bridesmaids

2011, 15, Directed by Paul Feig
Starring: Kristen Wiig, Maya Rudolph, Rose Byrne, Melissa McCarthy

With all the hype surrounding Judd Apatow-produced comedy ΓΌber-hit Bridesmaids, it seems a given that it be an enjoyable romp that does for wedding planning what The Hangover did for stag-dos. Right? Well, in a word, yes. Kristen Wiig headlines this female vehicle as the down-to-earth Annie, who is requested by her best friend bride to be chief bridesmaid at her forthcoming wedding. Plain-sailing it is anything but as set-pieces involving a dodgy Mexican coming back to haunt a dress-fitting (‘I just need to get off this white carpet!’), not to mention Annie having to contend with Rose Byrne’s pristine new friend on the block, Helen – are all evidence of the hilarity at bay. Where Bridesmaids works is through the Apatow-applying of witty conversational dialogue that could have easily been improvised by the stars, and on perhaps a less-important gender level, the induction of relatable policeman love-interest Chris O’Dowd (far away from The IT Crowd) to ensure this is as much for males as females (although make no mistake, more for females...). But whilst the supporting cast do their best to shove their comedic chops in the way of the audience, it is Wiig – who has writing credit alongside Annie Mumolo – who really comes through this with a flashing Next Big Thing beacon. Without her, Bridesmaids could have appeared as if it were trying too hard, whereas her presence gives the impression that the comedy provided is effortless. Mention also has to go to Melissa McCarthy’s Megan, the Zach Galiafanakis of the piece; it would have been terribly easy to play this one just for easy laughs, but instead decides to opt for heart also. You’re going to be see more from this one.

With the success and love Bridesmaids has heaped upon it, producers could opt for bigamy; an easy money-spinning venture (unfortunately much like The Hangover is in the process of becoming). The truth is, leaving this as a one-off truly witty dark horse would be the more clever option. There's just no room for other people in this marriage, Hollywood.  
4/5

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