2012, 18, Directed by John Hillcoat
Starring: Shia LaBeouf, Tom Hardy, Guy Pearce, Jessica Chastain
Starring: Shia LaBeouf, Tom Hardy, Guy Pearce, Jessica Chastain
The
negative traits in re-teaming for a big-screen project after receiving such
critical acclaim for your previous effort is that all eyes flicker upon your
latest attempt filled with a bucket load of expectation. The 'team' in question
here consists of Aussie director John Hillcoat and musician/screenwriter Nick
Cave (minus his Bad Seeds) whose 2005 Aussie-set western The
Proposition turned heads with inspired moments correlated with
show-stopping performances. This highly-anticipated next offering pitches the
factual story of the Bondurant brothers, bootleggers who refuse to co-operate
with a new lawman in town in Depression-era rural Virginia, and is adapted from
novel The
Wettest Country in the World - written by Matt Bondurant,
grandson to these characters.
The
cast, an impressive blend of talents, purport this to be something special,
what with man-of-the-moment Tom Hardy shoulder-to-shoulder with character
actors Gary Oldman, Guy Pearce and Jessica Chastain. Hardy plays eldest
Bondurant Forrest, growling his way through the running time in a captivating
manner. Here is an actor fast showing he is one for the ages, one who embodies
every being he portrays, one who could be in danger of embodying one character
too many. Youngest Bondurant Jack is played with an endearingly
witty innocence by Shia LaBeouf who, one hopes, will relish this
opportunity to shed his Transformers feathers. Investment in Cave's
script relies heavily upon the viewpoint of his character, with LaBeouf bravely
proving he can stand up to the occasion alongside Hardy, an underused Oldman
(back to his unpredictable self post-Tinker Tailor Oscar nomination) and Pearce - who,
as Chicago special agent Rakes, provides the film with a forceful figure of
hate.
Hillcoat's
skillful mastery of the camera has splashes of genius (one or two scenes are
captured with pure beauty that will no doubt bone day e analysed in lecture
rooms,) but it's as if the filmmaker lacks conviction in his abilities, instead
opting to depict the worn-down cliches Cave's screenplay withholds in
predictable manners (an almost-romantic sub-plot involving Frank and Jessica
Chastain's Maggie being the main culprit here.) Amidst the alarming action and
(at times) gape-inducing brutal violence that shockingly convinces, a sour
taste is left in the mouth: once the final shot has left the screen, you will
realise that tase is disappointment.
If
only Hillcoat had taken the law into his own hands and veered from the rulebook
a little more, Lawless could well have been flawless. As it stands,
a strangely-classy enjoyable watch that won't demand another.
3/5
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